“The Shape of He to Come” is the first of the “Collective” series, meaning that it diverges from the model of Botanist studio albums as the result of Otrebor doing everything, and instead recording more like a full band with distributed responsibilities. “The Shape” stands as a testimonial to the work, time, and effort that six people put into rehearsing, touring, and composing from the years 2013-2016.
The drums were performed by Otrebor and taken from a preexisting session from 2010. These were given to D. Neal (dulcimer compositions and performances on “The Shape of He to Come,” “The Reconciliation of Nature and Man,” “Praise Azalea, the Adversary,” and “Upon Veltheim’s Throne Shall I Wait”) and R. Chiang (compositions and performances on “Praise Azalea, the Adversary,” “And the Earth Throws off Its Oppressors,” and “To Join the Continuum”).
Botanist believes the world is the most valuable thing in the world. The most essential thing. Nature offers the truest, most tangible vista into the face of the divine, whose un-namable, unknowable existence is reflected through our natural environment. If we want to enjoy this world, to venerate it, to thrive within it, we must respect it, we must protect it, even if it’s only for our personal benefit. If we don’t, if we annoy the Earth enough, the Earth will kill us and move on. What choice will we make?
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