A counterpart of sorts to vocalist Keijo Niinimaa’s older group Rotten Sound, Morbid Evils have become known for exploring slower tempos and the lower end of the sonic spectrum, all topped with a fascination with the morbid realities of our hopeless existence. Having so far survived touring with Voivod and the impending global eco-catastrophe, Morbid Evils spent the best part of 2016 hidden in sweaty underground conditions perfecting their craft, working on the follow-up to their 2015 album In Hate With The Burning World. Comments Niinimaa, “When producing these tracks I paid special attention on making things as heavy and suffocating as possible, to emphasize the deadly seriousness of the world this music is taking us to.”
Come 2017, the band emerges from the pit with a paean to death, split in six sections, each examining the subject from various positions. Titled Deceases, the album takes a bold leap from their sludge-death metalish origins and towards a more original, minimalist approach. The air hangs heavy as droning, buzzing walls of downtuned guitars grind against punishingly pummeling drums in slow motion and everything around us seems to be another step closer to death.